The Blurring Line EP

by A-DUB

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1.
(free) 05:33
a pinched nerve in my neck again is it some kind of upside down inside out medicine? to look ahead, and not back to then hello humble, my old friend a sense of time, a sense of mine, it's good to kiss them goodbye and what you find, with every sign will ameliorate your climb so he wasn't making any sense but where do you get off thinking you're the only one that's heaven-sent? it's not your place, there's no reflection meant simmer down discard the sentiment a sense of time, a sense of mine, it's good to kiss them goodbye and what you find, with every sign will ameliorate your climb beyond something that I read about this ego, I want to live without now it might seem strange, with all this space in there but you clean out the attic, and you can travel, anywhere and wash your face but see no reflection there you change it to love become so aware that a sense of time, a sense of mine it's good to kiss them good bye and what you find, with every sign will continue to fill the air every time, the blurring line will ameliorate your climb and oxygenate your mind hallelujah
2.
my suryanamaskara A showing me things are OK but sometimes you've got to pray this crazy world will sway  and our hateful ways  will evaporate I can't wait to get, I can't wait to get back,  I can't wait to get back to my sweet & simple gravy it's time to break, it's time to break fast I think it's time to break this fast from my garden temple lady my suryanamaskara B showing me just how to see unmaterialistially most undeniably I've got to put in my time and it ain't easy  I can't wait to get, I can't wait to get back,  I can't wait to get back to my sweet & simple gravy it's time to break, it's time to break fast I think it's time to break this fast from my garden temple lady sweet and simple nature is the temple, and the gravy I've got to fill out that bloody application and give my blood donation so many complications in this incarnation for my soul's transmigration I can't wait to get, I can't wait to get back,  I can't wait to get back to my sweet & simple gravy it's time to break, it's time to break fast I think it's time to break this fast from my garden temple lady
3.
oh those eyes, and that stare a snippet of dialog, that caught me unaware on your bike, I on mine you know I think it was a ticket to a paragon so sublime the subsequent chapter is what I'm after it's not later, this after it's right here, and we can change our fear into laughter as above, so below you know I headed back to the bike stand at choices to see if you would show but by then it was ten and you were gone and golden and I was at the bitter end the subsequent chapter is what I'm after it's not later, this after it's right here, and we can change our fear into laughter yeah it's a fine day to put this song in swing and talk about what you bring that means everything and later on days by-gone but the day of the election lingers on and what of this time? sped up and blind is this the coming of an eschaton? cause there's a cavalcade of signs the subsequent chapter is what I'm after it's not later, this after it's right here, and we can change our fear into laughter oh those eyes
4.
You couldn’t tell me, with that mentality What it was about me, that schoolyard shove in the chest to incite And in the lines between the tiles in the porcelain room, I wrote why And I couldn’t tell you, couldn’t muster the words to tell you What it was that made me stop, and not confront you in the lines between the tiles in the porcelain room, I wrote why We should’ve been saying something, not pushin and shoving Saying something, so simple it’s tragic, saying something He couldn’t tell his eldest, let alone his youngest What it was about his own, childhood family madness in the lines between the years I can picture him writing why The shelter in silence becomes a mutual, mental violence That won’t let go, where’s the common sense in the lines between the years you wind up writing why When should be saying something, not pushin and shoving Saying something, from little steps comes the magic, saying something Tell me we’ll be speaking soon And he couldn’t tell her, even though his divine was her What it was that mystified, and also his fear amplified, And he let too much time, he let too much time pass them by But one day he found her, at the end of his rope he tethered,  He finally opened his mouth, Began to understand her And in the lines between the tiles, he could begin to erase why Cause he was saying something, not pushing and shoving,  saying something, so simple it’s magic, saying something… Tell me we’ll be speaking soon…
5.
Just one more thing before I go  do you have any more wild seeds to sow?  'cause I've been here before, I said to her from the door  and things could get ugly, that's for sure  with those three, not so insignificant words  before you go using them with me, those three  "Well just how many times have you been committed?"  she had to ask, I said, "how many times have you been denied and  omitted? and out on the Lougheed Highway when nobody's going  your way, and the rain keeps coming down and the rain keeps  coming you know when you need  those three, not so insignificant words,  you've got to have needed them to be, with me"  but after I left, I couldn't help but regret it  cause none of what I said is true  I know those three should be as free  as rolling my girl towards me  when we're dancing, she looks at me, she says:  "What is the meaning of life?" and I’ll say  "it's probably John Cleese and a wife, yeah, it's something that's after, it's something that's during and before  and while you can look to the future, I'm just here to give you a  present, it's those three I'm knocking at your front door  I mean those three, not so insignificant words  I know that you're needing them from me, those three  I know that you're needing them from me I'll do my best to make them free

about

- The song Those Three v.2 was used in a scene on the program "Love Monkey" on CBS / VH1 / MuchMoreMusic
- The Blurring Line and Sweet & Simple were used in scenes on the program "Men in Trees" on ABC
- Playing on this EP were Geoff Hicks on Drums, Jingles on Bass and BGs, and Joe Bashorun on keyboards and BGs, Carrie Gibson BGs, and Coco Love Alcorn BGs
- Paul Baker and I produced it, Paul engineered and mixed it with Mike Rogerson assisting at Bakerstreet Studios. I'm very grateful for the experience there. Learned so much.
- Jamie Sitar at Suite Sound Labs mastered it
- Artwork by Switch Creative

credits

released September 29, 2007

Words and Music by Andy Warren (Jungle Physicians) SOCAN

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A-DUB Vancouver

a-dub is influenced by coffee, matcha tea, arugula, Sade, The Police, Finley Quaye, Michael Franti, yoga, ayahuasca, and Vancouver weather, among other things.

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